Merci infiniment à Nico Tag de Nyctalopes pour cette chronique de ouf

couvbruitnoir

Un humain n’est jamais aussi intéressant que quand on va fouiller dans la noirceur, quand il se révèle. Après, il y a le contre-jour. Pour faire exister la lumière, il faut qu’il y ait le contrepoint de la lumière, et le contrepoint, c’est la noirceur. Franck Bouysse

Pas de roman ni de nouvelles pour cette chronique, uniquement des entretiens. Restez car sous cette couverture anonyme l’affiche est bien alléchante. Des auteurs comme Richard Krawiec, Mark SaFranko, Michaël Mention, Cathi Unsworth, Irvine Welsh, Christophe Siébert, etc, complétés par l’éditeur Aurélien Masson,et par le touche-à-tout rasta-punk Don Letts. Marianne Peyronnet a choisi vingt-sept de ses interviews parues entre 2011 et 2022 dans le magazine musical New Noise où elle occupe le poste de pilier littéraire, et les a regroupées dans Bruit noir édité à Limoges par On verra bien.

 À la lecture de tous ces entretiens, la conclusion est évidente : Marianne Peyronnet maîtrise l’art de l’interview. Elle sait mettre en valeur ses interlocutrices et interlocuteurs ; ne perd jamais de vue son sujet, même quand elle semble s’éloigner vers la musique c’est toujours pour mieux revenir au(x) livre(s) des personnes interrogées.

  
Grâce à la pertinence de ses questions sur des sujets tels que le travail et la construction des histoires, des dialogues, des personnages, des lieux, et de la place de la musique, on se rend vite compte que ses questions sont aussi importantes que les réponses, elles permettent de mieux lire après. Lire ce n’est pas uniquement dévorer une histoire, c’est apprécier la consistance d’une phrase, la tenue d’un paragraphe ou le rythme d’un dialogue. Les réponses apportées par Franck Bouysse sur son travail donnent envie de (re)plonger dans ses livres pour voir comment c’est fabriqué dedans, percevoir le squelette et les muscles par dessus. L’entretien avec Patrick K. Dewdney va encore plus loin avec en plus la thématique du genre : littérature noire, blanche, populaire, politique, science-fiction. Voilà, pour moi, un auteur à découvrir.
Au fur et à mesure des entretiens, classés alphabétiquement et non chronologiquement, on perçoit bien ce qui permet à une bonne histoire de devenir un bon roman.

John King est très bien traité dans  Bruit noir, Marianne Peyronnet lui consacre trois entretiens, en 2012, 2017 et 2021, ce dernier avec la participation d’Irvine Welsh. Cinquante ans d’histoire populaire britannique défilent dans ses réponses, les skinheads, les punks, les hooligans, Thatcher, la classe ouvrière, le football. C’est une image réaliste de l’Angleterre, crue et très éloignée des élites, que J. King décrit, et dont il se sert comme cadre de ses romans.
Le deuxième entretien, le plus long, est consacré à The liberal politics of Adolf Hitler, dystopie non-traduite en français. C’est un éclairage inhabituel sur la perception de l’Europe et de l’Union Européenne chez les anglais.
 

 On conseille toujours d’écrire sur ce qu’on connaît. Et c’est vrai. Mais pointe alors le danger de n’écrire que des réflexions personnelles. Écrire uniquement sur ce dont tu as fait l’expérience offre une vision limitée du monde. C’est important d’écrire sur ce qui t’a nourri, mais c’est aussi important d’écrire sur ce que tu as observé de la vie des autres, d’accorder de l’attention à ceux que tu as rencontrés, même ceux que tu n’aimes pas, d’essayer de comprendre ce qui leur est arrivé, pourquoi, comment cela affecte leur personnalité, et ce que cela entraîne dans leurs interactions avec les autres. Les auteurs ne sont-ils pas là pour comprendre les forces qui fondent chaque être humain ? Richard Krawiec

 Vingt-trois autrices et auteurs figurent au sommaire de ce recueil qui est un véritable panorama du polar et du roman noir actuels. Il n’est pas possible de tous les évoquer. Parmi les quelques Américains il y a Mark SaFranko, c’est en partie grâce à cette interview parue en 2020 que j’ai eu envie de me plonger dans ses livres.
Cathi Unsworth, romancière anglaise, est une des rares femmes de  Bruit noir. Elle est issue du journalisme rock des années 90, c’est ce qui lui a permis de rencontrer son compatriote Robin Cook, grâce à qui elle découvre le roman noir, puis se met à l’écriture. Elle explique pourquoi la musique tient une place prépondérante lors de l’écriture puis dans ses livres.

 Je connaissais Michaël Mention par son très bon  Jeudi noir sur un France-Allemagne de triste réputation. Ses propos, souvent drôles, sur sa façon d’écrire, de bâtir des histoires donnent véritablement envie d’ouvrir ses autres romans, notamment sa trilogie anglaise sur l’Éventreur du Yorkshire dont l’angle semble différer totalement de celui de David Peace. Plus sérieusement, ce qu’il dit de la situation économique et de la place sociale des auteurs est assez triste.
Autre riche entretien, celui avec Sébastien Raizer. Tout y passe : sa découverte de Mishima et de la spiritualité orientale, sa carrière passée d’éditeur de livres consacrés au rock, sa première vie en Lorraine, son départ au Japon, et bien entendu ses romans.

Toutes ces personnes interviewées consacrent leurs livres à se confronter à la noirceur du monde et aux tréfonds de l’âme, bien loin de la littérature de salon feutré, ils grattent le réel comme le dit si bien Christophe Siébert. C’est aussi le cas de Peter Murphy, Lisa McInnerney, Caryl Férey, Martyn Waites, etc.

 Tous les polardeux ont des lunettes, ils vont regarder vers une direction où un auteur de littérature traditionnelle n’ira pas obligatoirement gratter. L’obsession de la mort est omniprésente dans le polar, c’est quand même une des forces les plus importantes de l’existence. Je ne connais pas une personne qui ne soit pas, et encore moins chez les mecs, obsédée par la question de la mort. Je ne parle pas de la vieillesse, mais de la mort, de l’absurdité. Je vois le polar comme essayer de mettre de l’ordre dans un monde de désordre. Ça peut apparaître comme une littérature un peu ébouriffée, mal élevée, mais j’y vois aussi un cri d’amour à la vie, et le rock aussi. Aurélien Masson

Aurélien Masson a droit à deux entretiens, le premier en 2011 alors qu’il était directeur de la Série Noire, le second en 2019 quand il crée EquinoX aux Arènes. Ses fonctions d’éditeur et de directeur de collection y sont méticuleusement autopsiés. Là encore, lire ces entretiens ouvre de nouvelles portes à la lecture, au plaisr de tourner les pages.

 C’est dans cette bonne trentaine de pages que le rapport entre polar et musique, polar et rock, est le mieux éclairé. La mise en parallèle des deux est discutée avec beaucoup de pertinence.  Finalement c’est presque la constante de beaucoup de ces entretiens, les rapports tissés entre le rock et le roman noir. Marianne Peyronnet y revient à chaque fois ou presque. C’est ce qui donne une belle cohérence à ce livre, et qui rend la lecture bien plus que plaisante. Bruit noir plaira aux amateurs de romans noirs, plaira aux fans de rock, et encore plus à ceux qui sont les deux à la fois.

Quand j’étais gosse, je ne me suis jamais dit qu’il me serait impossible de voyager, mais la lecture m’a permis d’accéder à des mondes nouveaux, d’élargir mon horizon. Kerry Hudson 

 C’est exactement ce qu’offre  Bruit noir, joli petit pavé de 370 pages dans lequel autrices et auteurs disposent de temps et de place, bien loin du mainstream habituel.

NicoTag

https://www.nyctalopes.com/

Bruit noir

Entretiens pour le magazine New Noise réalisés par ma pomme et édités par On verra bien.

Dix ans de belles rencontres… 25 interviews… merci à tous, vous êtes beaux… merci New Noise… hugs and kisses

Rencontres avec

  • Franck Bouysse
  • Patrick K. Dewdney
  • Caryl Ferey
  • Kerry Hudson
  • Frédéric Jaccaud
  • Janis Jonevs
  • John King
  • Richard Krawiec
  • Nathan Larson
  • Don Letts
  • Franco Mannara
  • Lisa McInerney
  • Aurélien Masson
  • Michaël Mention
  • Clément Milian
  • Richard Milward
  • Benoît Minville
  • Peter Murphy
  • Sébastien Raizer
  • Rob Roberge
  • Mark SaFranko
  • Christophe Siébert
  • Cathi Unsworth
  • Martyn Waites
  • Irvine Welsh

Ces entretiens sont parus dans le magazine New Noise entre 2011 et 2022. Ils regroupent une vingtaine de personnalités sous une même bannière rapidement qualifiée de noire. Trop rapidement peut-être : le noir, le plus souvent, désigne une certaine littérature policière quand tous, ici, n’écrivent pas des polars. Tous ne sont même pas écrivains : Aurélien Masson a longtemps dirigé la Série Noire avant de créer sa propre collection aux Arènes, Don Letts est, entre autres, un documentariste important du mouvement punk. Mais qu’ils se réclament d’Ellroy, de Carver ou de Bukowski, tous ont en commun de porter sur nos sociétés un regard d’une acuité qui les pousse à en fouiller les zones d’ombre et la violence inhérente à leur structure. Un regard d’une même noirceur, donc, et soutenu par un même sentiment d’urgence dont le rock, depuis ses origines, aura fourni la bande-son, toute de fureur et de bruit.

 

  • 360 pages ; 22 euros
  • ISBN 978-­2­-9570289­-6­-2
  • Parution avril 2022

Disponible en librairie ou à la commande par mail : ovbedition@gmail.com ou à cette adresse : On verra bien, 6 rue de la Nation, 87000 LIMOGES France

One is not born but becomes

verbal

Published by John King in Verbal Issue 7

ONE IS NOT BORN BUT BECOMES by Marianne Peyronnet

Bonjour. Let me introduce myself. My name is Charles. Please, don’t laugh. It’s not funny. My name is definitely Charles. Yes, I know… Blame my mother. She had this great idea. When I was born she asked herself: ‘What can I do to make his life miserable? I know, let’s call him Charles!’ My father certainly did what he does best, he looked the other way. I’ve tried different solutions, so as not to be considered a snob petty-bourgeois, which I am certainly not. I was very proud, for a while, of the nickname I chose: King Charles. I thought it was ironic, for a Frenchman, to be a king. I thought it sounded so English too, so classy, until I realised it was a breed of dog. I am not a kind of dog, although I have been a kind of a loser since the beginning of my short existence.

But that will change, because I am becoming a punk. Yes, my name is Charles. Yes, I am fourteen years old. Yes, I am French… Yet soon I will hug and kiss the girl of my dreams. Looking at myself in the bathroom mirror this morning, it was obvious to me, and it will be obvious to her too. I will soon be completely, absolutely, fully a punk. For the moment, I am still becoming one. Yes, becoming. What do you think? That one is born a punk? That Johnny Rotten was born with orange hair and decayed teeth? No. It is a slow process. It is a choice, a thought that develops and changes you forever.

The first time I saw punks was on TV. On the eight o’clock news. First channel. In London, young men and women with strange haircuts were wearing strange clothes. The background music was weird. They laughed and shouted and one of them showed his buttocks to the camera.

It was a fleeting glimpse that my father interrupted, ordering me to change the channel: ‘We’re trying to eat, man! Do they think there aren’t enough horrors in the world, these Rosbif guys? Always showing off!’ Then he relaxed and finished his potatoes quietly, captivated by reassuring images of black children with nothing on, except flies on their faces, and nothing in their deformed stomachs. It wasn’t at this specific moment that I decided to become a punk. I was too young. It was 1977 and I was only ten. But when I saw that girl in the school courtyard, with her shaggy hair and sooty eyes, I remembered the guys on the screen. There was no doubt, I would be one of them: (1) To express my own singular personality, (2) to upset my parents, and (3) to please her.

It has been a few months since my transformation began. Soon the pathetic worm I once was will become a terrible insect (not a butterfly though, butterflies suck). Watch out, good people. Here I come.

I reckon I am already halfway through the process.

It takes a long time. Do you think it’s easy? That it doesn’t require hard work? No, it is like the kung-fu movies, when the nice little lad is fed up with being beaten by bullies and becomes a kung-fu expert, and his vengeance is terrific. It is the same as far as my metamorphosis is concerned. In fact, it is harder, because in the movies there is always a master to help the nice little guy, and I have to handle this on my own. There is no chance of my brother being my guide. He is five years older than me and could have helped, but no… Of course, he loves music. But he’s stuck in a disgusting past – Genesis, Led Zeppelin… Everything I hate. Boring ten-minute guitar solos and embarrassing skin-tight trousers.

I had to launch myself on the rising road of my cultural revolution. And I started at the beginning. I went to the record shop and bought the Sex Pistols album. The yellow one. I was not completely stupid; I knew the Sex Pistols were the beginning. It was a slap in the face, my friends. Where was I before? Rotten was screaming for me. He woke me from a coma. Set me on edge. And not only me. As I sensed, I could fulfill my second reason for becoming a punk very easily: my parents were upset. They still are. They are upset when I come back from school and listen to ‘God Save The Queen’ very loud, they are upset in the evening when they watch TV, and on Sunday morning too.

I am growing up.

After the Pistols, my education has been easy. The Clash, The Damned, Siouxsie And The Banshees, Buzzcocks, 999, Dead Kennedys, The Ramones… The record dealer is very nice. He lets me listen to what I want, when there aren’t too many people in his shop. He is friendly, even though I spend so much time and so little money there. My pocket money can’t match my desires, so I have to be cautious when I buy an LP. The vinyl crepe goes round and round in circles till it feels dizzy. And the sleeve is examined in every detail. Pictures of the bands are what I love best. Appearance matters. And I look like those boys. Not too handsome. Not too burly. Rather thin and crumbly, like a cracker. I’ve bought a second-hand pair of Doc Martens. They are too big for me, so my feet look huge and my calves seem skinny. I like that. It allows me to achieve my first aim inexpensively.

Two weeks ago I cut my hair and that second reason jumped to the top of the list. I took scissors and cut strands off the top of my head. My mother didn’t like that. She grabbed me by the arm and shook me as if I was five years old. ‘What the hell goes on inside your head?’ she said. ‘On my head,’ I replied. She didn’t burst out laughing. She didn’t like my Billy Idol grin either. A smack was close, but what could she do? Glue the hair back on? My father just said that he would never walk next to me in the street again. Won’t you, Dad?

They have nothing to really complain about. My grades have improved significantly, especially in English. I have learnt a lot of words through trying to understand what the bands are saying in their songs, and my accent has become good since I started screaming their lyrics, at least those that are written out and come with the record. When they are not, I try to decipher them and I write them in a notebook. I am very good. Sheena is a punk rocker, Sheena is a punk rocker, Sheena is a punk rocker now… Punk punk punk rocker, punk punk punk rocker, punk punk punk rocker… Just kidding. Most of the time, I leave holes in the sentences and it sounds like this: White riot, I want a riot, White riot, A riot na na na, or like this: Neat Neat Neat na na na na na na Neat Neat Neat na na na na na na… at all.

Please, don’t make fun of me. I deserve to be respected for my bilingual dictionary, and at least I know what Neat means. And I started reading books. Yes, I did. No choice. If someone asks me questions about what the bands say in interviews, I should be able to answer. Punks are so clever. Now I know everything about anarchy, si-tu-a-tio-nism, rebellion, and bollocks.

On the other hand, girls are not a subject that I am mastering.

Nevertheless I progressed significantly last Saturday when I kissed Fat Fifine. My evil plan worked like a charm. Here’s the thing: I am fourteen and had never kissed a girl. Shame on me! And if I wanted to achieve my third aim, I didn’t feel comfortable seducing the most beautiful girl in the world with no experience. So I decided to experiment with what I had to hand, that is to say, Fat Fifine. Delphine, that’s her name. The daughter of my parents’ friends. I only call her Fat Fifine in my head. I am a gentleman. Our parents are friends and they have dinner together every weekend. Last Saturday, they came to my home. And as usual, as they were about to have their pre-dinner drinks, my mother asked me: ‘Why don’t you take Delphine to your room. You could listen to your records. You are really not very smart. Look at her! How gorgeous she is!’ And my father added: ‘If I was your age…’ And her parents laughed: ‘Behave yourselves.’

What else were we supposed to do? We couldn’t just stay in the living room and watch them get drunk and listen to their bullshit, so I brought Fat Fifine to my room. Usually we sit on the floor, I put some music on until my mum calls us for dinner. When Fat Fifine talks, I turn the volume up, so that I don’t know what she’s thinking about. I guess she loves me. She keeps staring at me and pretends to like The Clash. Even if she is rather ugly, I said to myself: ‘What could go wrong?’ After all, she seemed to be consenting, and as we are not in the same school, she was not going to brag to people I knew.

I knocked her over on the bed before she could start to open her mouth. As I expected she let me kiss her and touch her breast a little. It was as I thought it would be, more or less. Wet. Soft. But at least I could teach myself to French kiss a girl. Then I stopped, put ‘Fresh Food For Rotting Vegetables’ on, and said: ‘Thank you’. You see, I am well-mannered. When we came back into the living room she was just a little redder than usual and she had lost a barrette. Her father was speaking loud and my mother was giggling like a guinea pig. Saturday night fever…

Well, it has allowed me to loosen up. I am ready. I can feel it. I am ready to become the happiest man on earth. I am about to go out with the most fascinating girl in the history of mankind. I’ve got it covered. I’ve been spying on her for weeks. I’ve been standing at the corner of the street she takes alone every morning. To get her used to seeing me, I’ve been there every day for a month, trying to look smart and mysterious, pretending not to be interested, casually lighting a cigarette and looking at her through the plumes of smoke. I can see that she pretends not be interested either. She never looks at me. Cheeky girl.

Today is the day. I woke up early. I have polished my look: black trousers, favourite shoes, scruffy hair. I have walked the streets with the classy gait I have rehearsed: my back straight, shoulders rearward, taking great steps, staring at the horizon. I know exactly what I am going to say to her: ‘I have noticed that you like Siouxsie,’ and she will reply: ‘Yes, I do’. Something like that. Then I will say: ‘You look just like her,’ and after I will confess to having been attracted to her for a long time. I will tell her we have a lot in common, that I love punk bands too, that I think she’s very pretty with her kilt and ripped tights, that I love her more than anything, that we could be Sid and Nancy, that I could lend her my records…

Here she comes. She has five steps to take and I will never be lonely again. 5, 4, 3… I can hardly count. I feel as if the veins in my neck are going to explode. I clear my throat. The last thing I want is a falsetto voice. 2… I slide forward slightly to stand in her way. She must not miss me. Go, go, go. I take the plunge. 1…

‘Hi. I have noticed that you like Siouxsie…’

‘Get out of my way, moron.’

‘ ––––––– ’

I guess it’s going to take longer than I expected.

Mon best of 2020 pour New Noise

ALBUMS

1 Bob Mould – Blue Hearts
2 Protomartyr – Ultimate Success Today
3 Idles – Ultra Mono
4 Human Impact – S/T
5 Shiner – Schadenfreude
6 Watertank – Silent Running
7 Metz – Atlas Vending
8 Run the Jewels – RTJ 4
9 Lane – Pictures of a Century
10 Jehnny Beth – To Love Is to Live

FILM
The King of Staten Island

LIVRES
Betty (Tiffany Mcdaniel)
Les nuits rouges (Sébastien Raizer)
L’un des tiens (Thomas Sands)
Marseille 73 (Dominique Manotti)
Images de la fin du monde (Christophe Siébert)
La fabrique de la terreur (Frédéric Paulin)
Elmet (Fiona Mozley)
Joueuse (Benoît Philippon)
Villa chagrin (Gail Godwin)
Donbass (Benoît Vitkine)

Mon best of 2019 pour New Noise

ALBUMS

1 Lysistrata – Breathe In/Out

2 Ventura – Ad Matres

3 Frustration – So Cold Streams

4 Cave in – Final Transmission

5 Refused – War Music

6 Lane – A Shiny Day

7 Tropical Fuck Storm – Braindrops

8 The Get Up Kids – Problems

9 Sleaford Mods – Eton Alive

10 Bob Mould – Sunshine Rock

 CONCERTS

Lane – The Bushmen (John Lennon, Limoges)

Frustration (John Lennon, Limoges)

FILM

90’s

 LIVRE

Le second disciple (Kenan Görgün)

Mon best of 2018 pour New Noise

ALBUMS

1 Idles – Joy as an Act of Resistance

2 Turnstile – Time & Space

3 Cloud Nothings – Last Building Burning

4 It It Anita – Laurent

5 Moaning – S/T

6 Rendez Vous – Superior State

7 Cabbage – Nihilistic Glamour Shots

8 Big Ups – Two Parts Together

9 J.C. Satàn – Centaur Desire

10 Superchunk – What a Time to Be Alive

CONCERTS

1 PiL (Electric ballroom, Londres)

2 Sleaford Mods (Rock School Barbey, Bordeaux)

3 Escobar (El Doggo, Limoges)

FILM

How to Talk to Girls at Parties

LIVRE 

Débâcle (Lize Spit)